Dove Studio> Digital Prints> Oola series

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Years ago I made a small doll out of scraps, a doll which I recently I scanned and digitally edited into an art historical context. When someone asked me Where are you in art history? I understood the question's meaning but thought it an odd thing to ponder.
Playing the doll as an alter-ego, I tried out different periods of western art history. I began by
making fun of images that were outside my aesthetic. But then, with a sense of shock when
people responded to my work with laughter, I began to feel protective of my alter-ego/doll.
I began thinking about her as a representative of humans in my society who do not meet the
norms of beauty/acceptability. I began thinking about putting my doll in a variety of art historical contexts that reflect a variety of cultural norms of beauty and acceptability, especially for women.
In the piece in this show, Oola the doll tries on Empress Theodora, surrounded by hints of intrigue, moral compassing, and war.
I hope that the viewer will respond by asking questions. What is the meaning of that ugly, bucktoothed little doll? What does humor have to do with art? What right does an artist have to appropriate images? What about the ethics of lying with the camera and computer?
To see other digital print series: Authoritarian Chair series, Duende series, Shattuck Street series, Tight Rope series, Holy Water series

Oola as the Empress Theodora

Oola as Beatrice
Oola a Dekooning's Women
Oola as Goya's Bitch
Oola as Marilyn
Oola as Ophelia
Oola as the Empress Theodora
Sofonisba Oola
the Perils of Oola
Oola as the virgin with the long neck
Oola as Suzan Valadon
Vitruvian Oola
Oola overcomes Ignorance through the Arts